On Media, Hiphop, Porn, and Mr. Darcy

I know some would argue that the movie "Notorious," portraying the life of the gangster rapper Notorious B.I.G., can hardly be called an artistic or profound film. Whatever criticisms one might have about it, I believe it illustrates one thing well: Entertainment, for the most part, is not real life.

When one creates or produces something, whether it be a painting, song, movie, book, etc, it falls along a continuum of how accurately it reflects reality (among other things). On one extreme, the piece of work may be extremely representative of realities. I believe "Slumdog Millionaire," although entertaining, was a powerful expression of an ugly reality. On the other extreme are works that have very little intent on anything other than pure sensory stimulation (not that it is necessarily a bad thing.)

However, something terribly wrong happens when one creates a piece of work for the purpose of pure entertainment with little grounding in reality, but the observers mistake it as an expression of how things are or should be. T.I.'s song "Dead and Gone" pinpoints the possible negative influence of Hiphop on black urban culture. The movie "Notorious" illustrated the contrast between the glorified versions of what he rapped about (women, money, drugs) versus the reality of his life, which was the attempt to manifest much of what he rapped about.

The truth is, given the ability to create, we are able to either draw out and paint deeper realities beyond what we see, hear, smell, taste or touch, or we can create that which does not exist. This power of imagination is potent. It has the potential to lift our eyes and spirit, and to call us forward through difficulty and oppression. Think of the role music, stories and oration played in historical struggles like the Civil Rights movement or various revolutions in the world. Think of the way narratives are used to guide our behavior and grant meaning to life (eg the Christian narrative).

However, the ability to paint that which does not exist carries a dangerous side. If we are not keen towards the effects of such a power, it may evolve from the creation of our hands into a beast beyond our control. When one attempts to live another's fake creation, the expected results seldom happen, while plenty of unintended realities do not cease. Going back to the illustration of "Notorious," a verbal war between two rappers consumed not only their lives but fostered such animosity between East and West coasts, all because they created that which did not exist, and listeners believed it as real. The danger is compounded when this created image draws its strength from real human needs, desires, emotions, or realities. They resemble realities, but in essence are mythologies merely clothed with aspects of the what we recognize within ourselves and the environment around us.

This has much subtler implications. A friend of mine, after being told that he was a crappy boyfriend, was encouraged to watch some chick flicks by his ex to learn how to be a better one. I cringed at that idea, because such films, although entertaining, are bastardizations of reality. With every cut, switch of scene, or panning of the camera, reality is edited out. Time is condensed. Ugliness is omitted. It is one person creating that which does not exist for the purpose of entertainment and money, while the masses consume these fabricated standards or ideas and internalize them as expected realities.

If such things seem harmless, think of it in terms of pornography. Pornography itself portrays two people having sex, a very normal phenomenon. However, it does three things. First, it grounds itself in very real physical desires (which is why it sells). Second, it appears real, since two very real people with arms and legs and other such plumbing are interacting in ways known to be possible. But most importantly, it takes that reality and creates something that is isolated, glamorized, beautified, and altogether rather fake. And then consumers, seeking out their needs, end up internalizing the performance or "beauty" expectations they see on a screen. Simply replace the physical with the emotional, and you will see why that bastard Mr. Darcy is a terrible human being.

So, my dear friend, I suggest you do not take your ex's advice, and find someone who glories in the sometimes gritty and ugly realities of commitment and love, versus someone who thinks the world would be better if men pretended they were in a chick flick.

I Don't Know Why You Say Hello, I Say Goodbye

Everything has an end. At times, it catches you blind, like an alarm that broadsides your dream like a drunk in a truck, running a light. Others set, ever so slowly, almost imperceptible, were it not for a lengthening of shadows under the eyes and the color of fire lit above the horizon. Passed, before it was lived. But everything has an end. Some are orchestrated, choreographed in step with Pomp and Circumstance, notarized with chops and officiated by priests. Pictures. Speeches. Flowers, delicately arranged, cut and sacrificed for this very occasion. Others will squat upon your mind as you get a haircut or eat yet another meal… a sitting vision, a premonition wondering if it will all still be the same the next time you come back. Everything has an end. It will all come to pass. Though, most of us would appreciate a little heads up.